french producer muttonheads, well-known through his tracks, to you, smashing music, ill be there, lone rider, my dance floor recipe and also for his productions with mathieu bouthier, need u, make your own kind of music and remember. today he is back with >ready< that totally sounds like mutthonheads vibes...enjoy !

its almost 4 years to the day that jeff samuels >throatwobbler mangrove ep< was released on karloff #03, and even today the four world hits of the record are getting digged out by djs, when the minimalism needs to either groove or jack again. so now with >return of the throatwobbler< theres finally an appropriate follow-up by the man from seattle.. erm.. berlin, after he’s impressively run riot in the meantime, on labels like spectral, trapez, poker flat, frankie and logistic. the a-side >terso< is shuffling and twirling and bouncing in such a winsome way that not many can master like jeff samuel. almost like an electric ray - left and right and left, and without letting any tempting gimmicks take the mind off the straight path. appropriately enough, >the spook< on the b-side comes along a bit more spookily, with a bassline twisting into the brain, ripped up by miniatures of bleeps and chords just in the right moments, and thus leading the track to an agile, exhilarated climax

this time, doctor pepp and doctor hugg investigates the secrets behind the pappas mechanism that is the source of the love explosion. in the 2007 report >pappa love mechanism and it social economic studies< we have tried to cover the whole process from the first eye contact on the dancefloor to the sucessful stimuli of ollon and completion of the explosion. it is reported that at least 52 sucessful explosions inside the mamma during 2007 (percentage of error 3.45%) where produced under assistance of the special hugg & pepp frequency spectrum in our test envrioments. we are very proud to present this spectrum in two separate files, the pung spectrum and the ollon spectrum, each one being specially designed to meet the high level criterias of today. the pung spectrum has a base frequency of about 75.5 hz for wich most pungs will be mostly efficient. how ever, this special spectrum has such a rich and joyful tonal range making contact on the dancefloor under influence of alcohol is no longer necessary

coming up with a mixture of drumfunk elements, dubstep vibes and old school sounds, martsman is the new kid on the block that will prove you wrong if you thought youve heard it all in drum & bass. >kontamin< is a journey back to the good old days when jungle didnt have the obligation for constant climax that is found in most drum & bass tunes today

>datcha musik< is the strong first release of russian artist oleg poliakov. born and raised in omsk, siberia, oleg fall in love with house music of the early nineties with artists like kenny dope, carl craig, kerri chandler, moodymann and labels like trax records. his ep on circus company is a perfect combination of the warm vibe of classic old school house with a solid interpretation of the sound of today. supported by jay haze, john tejada, karotte, d julz and tobi neuman

steven de peven and aardvarck come correct with their second rednose distrikt album. great beat trickery & lo-fi productions feat.harco pront, pips:lab, deborah jordan (silhoutte brown), mocky, overlast.. the first 500 of this title come with a 12 inch card poster of the - join the dots- cover artwork

first info sheet for the new french label jetaime records, which today takes a crucial turn by presenting its first release and artists rooster. sick essence / 3 tracks for this release from jonathane katsav a new french comer with additional remix by barem (m_nus / foundsound )...already played by marco carola, michel de hey, loco dice, david k, eurokai...

public service message: from the pale horizon of the calm world, here emerges critical tension. product of his society, henry the white collar goes through a crisis. today henry is nervous, negotiating the heave and shove between fear and his uncontrolable urges, and this is his music when he does. we, the producers, are his fantasy. does it hurt or is it good? can you make him relieve his debt? after two releases on sound of barclay, and a hit (sink) on yvan smagghes compilation (suck my deck) released on react, and the famous cover of lios amoureux solitaires featuring jennifer cardini on kill the dj, henry is back with a dodgy 10 inch no punk, no electro - this is wobble

this slice of sexy electronic disco music takes no prisoners feat katherine ellis on vocals one of the most respected and versatile vocalists, topline writers and live performers in the industry today

jerrald james aka jerry the cat musical career is a typical example for detroit music of the last decades having played percussions with parliament and disco outfit cj & company he early came in contact with the first wave of detroit house and techno producers and began to experiment with these new sounds. his productions today are still evident for the unique mixture of detroit soul history and futuristic electronics. therefore this new sound signature is exemplary for the detroit sound as it skillfully fuses the free flowing jazz inflected vocals of genevieve with jerralds rootsy percussions play, accoustic live bass and a skanking, hypnotic house beat. flip over for the dubby instrumental track vanished

three is the magic number! as a matter of fact the third installment in the koop remix series brings you not only some more floor friendly reworks of everyone’s favourite transvestite jazzers but at least two sureshot bangers! on the a side we got the mighty drumlesson remix by christian prommer. the producer of fauna flash and voom:voom fame picks up the bonus beats of the album to transform them into a 7 minute tech jazz meets classic house workout that drags drum rhythm a kicking and screaming onto the dancefloor.the b side once again sees beanfields remix of i see a different you but this time sweet singer yukimi nagano gets left behind on the excursion to detroit. and yes, the much requested instrumental version sounds even better without the vocals! last but not least there is a nice version of lets elope by sirs also known as gucciman or daniel klein, co founder of flamingo discos. he pushes the right buttons to build a grooving deep house tune around the warm vocals of mikael sundin. so, lets elope today with koop

disc one brings together three classic cuts from the nrk vaults. joey negros akabu project is currently undergoing a revival, what with new cuts phuture bound and im not afraid of the future currently in the front of many djs boxes. back in 2000, akabu recorded your wildest dreams for nrk, and was accompanied by the 2020 vision mix included here. ralph lawsons punchy, robotic club remix sounds just as relevant today as it did on its first release. on the flip, solid grooves trademark jackin remix of magik js feel alright still cuts the mustard and jamie andersons beautiful oceanic shimmers with cool 909 drums and luscious deep chords.

artillery is one of the leading hardtechno labels run by dj amok. amok is considered as one of the true founders of the hard tech scene today. his work appeared on many respectable labels like knedeep, highball, distorted and methadon. for this fresh piece of work he sets up another solid piece of violent craftsmanship: stefan wietek aka weichentechnikk pump an overdose of distortion into your arteries

next sure-shot from the berlin boys plasmik – the success that these two brothers have already had with their first release >eight to nine< and their remix for ripperton is impressing. licensings for steve bugs fuse sampler, loco dices time warp mix and jamie jones get lost mix are just a selection of their current achievements. furthermore, they will release an exclusive track on crosstown rebels. the crowd and the djs love their style. inspired by us-techno cuts from the middle of the 90ies, they transfer and interpretation of this sound into today. with their newest release, they raised their understanding of dance music to a new level. pitch it is a dubby house track with pitched piano elements and a catchy hookline. this outstanding tune, which is already in heavy rotation, was licensed for claude vonstroke s mixmag mix.

finest spacin disco touched electro five track ep by makina girgir known from her track on the 5th anniversary comp vol.2 (dd006)

massive hard-techno lp !! during the last years the labelhead of frown records called not only massive attention to himself by producing acts like felix kröcher or sven wittekind but also by his own records, which were released on reputable and well-known labels like bitshift, abstract or inflicted. his fans love his flawless productions, his fresh and groundbreaking sound, which has been produced by boris s. since he was 13 years old. you will find his vinyls in the cases of robert natus, arkus p., pet duo or dj rush. today boris s. is a class of its own in the techno scene and since two years it is not imaginable to experience any techno event in europe or brasil without boris s.

support by oliver koletzki, inaqui marin, angel molina… marc marzenit is without a doubt one of the covered ones of the electronic scene of dance for this 2007. spheere is track 100% marzenit, great melodies and arpeggios, explosive hit, crescendo continuous and hipnótic to the maximum. today is yesterday - claustrophobia-rmx is governed more by similar patterns but less serious than spheere, and with a definitive attack to the jugular one in its culminating point. today is yesterday - original rmx- adopts melancholic forms with a minimalistic suit in the less contemptuous tone of the word. this does not sound like a regular record? then in the cover and the label it puts it well clear r-e-g-u-l-a-r

hot hot buzzed release yet again from paradise. electrico is the most popular rock and roll band in singapore today. >love in new wave< is the first single of the new album >hip city<. incl muttonheads rmx

when iridite started out they really wanted it to represent a wide selection of electronic music - at the time, many of the bigger labels (and many independent ones too) seemed content to pigeon hole everything, generating sub label after sub label, each with its own micro-scene or genre. over the years we feel we ve done a pretty good job of steering clear of the obvious but we were still lacking a little in one important area - house music. although >ga< isnt straight down the line standard house music, it s instrumentation, simple repeating bassline and beats give forward motion that fits nicely with a more old school version of house along with some percussive vocal stabs and eventually, a huge synth string climax- like a cross between early ron trent, fingers inc and kenny larkin. the b side gives us two tracks from one of the most talented young producers working in the field today - jamie greer, who s tha poke guise gave us one of the highlights of ir004 (uncommon sense), moves >fall fwd< in strong style with his unique take on the (original) detroit sound - remaining completely individual, his sound is instantly familiar and yet never derivative or tired. both tracks have the energy to survive on the dance floor but the subtlety and depth to bear repeated listening at home - proper techno

when you start your musical education at age 6 and your are a son of a sound engenieer, then there you are most likely to be a musician yourself. this is the exact case with nenad petrovic, born on 1979 and better known as kobaya… in 2004 his first release >rosa salvahe< ep came out on marko nastic s recon warriors label. the release was followed by>mafia szlava< ep(together with marko), >its all about haircut< on recon light and >blackmail< ep again on recon warriors. today he is working on new releases and finishing his long awaited live act.watch out for his upcoming release on valentino kanzyani s jesus loved you imprint.

the first volume of the 2006 remixes feat the acidhouse monster rework of french produced arnaud gratigny aka a jackin phreak, swiss rising star dachshund providing an already approved driven tech monster and italian duo und on a more minimal tip

incl. sleeparchive rmx, played by 2000 and one (cocoon), martinez (out of orbit), agaric (we are), butane (alphahouse), tadeo (ciclycal tracks), iñaqui marín (regular), leandro gamez (intec), angel molina (sonar music) soulrack & sleeparchive two great producers which cray1 labworks comes again and succeed with these first beats of 2007. this wisd move is called >modul age<. soulrack, signs, >modul age<, that is one of its best singles till today. nervous and funny minimal techno, with a clear funky touch, it is a good sample of the sensational state in which there is the label manager of cray1 labworks.

limited 12inch with rae deep house classics

we are very proud to count with the swiss funkman >agnès< on our artist pool! the man as been quiet busy lately. and the gentleman is sure not showing up with empty hands on this one. he s dub vaults are made of dead funk actions, his ever deepness along with the today s needed modern club artillery. on the a side lays the floor killer >hi-murda<. a hypnotic and dubbed out beat that just rules and rolls, a massive bassline from beyond and the ever twisted micro vocals clips and other tiny detailed sounds that defines the clever boy s production skills... a trip on a groove roller coaster that simply devastates everything on its road

rmxs by vitalic & david carretta, crash course in science (ccis) is an electronic musical group that was formed in 1979. the band was formed as a way to explore performance art and music, which the members desperately needed to express. .. this 12inch contained the songs >cardboard lamb< and >flying turns< which are two of the bands most recognizable tracks. this record has been regarded as influential to the techno industrial genres and was an early inception of what is now known as the >electro< sound.. one remix made by the crash course in science band themselves in 2006 !!! amazing uptodate remix done by the original member, which sound incredibly music of now. another remix made by vitalic , which gonna be a classic hymn for clubs as always when vitalic rework a track. and the last remix done by david caretta who give another dimension to the original track. this crash course in science band have been many times sampled by artist of today, now you know from where comes the original

stuck in time is a personal statement on a particular time and of particular experiences in my life. the sounds codebase choses to use on this album point towards an alternate universe of where music may have gone instead of where it is now, fusing analog disco bass and electric piano sounds reminiscent of the 1970s with sampled electronic percussion sounds of today. this juxtaposition crystallizes the temporally frozen sonic landscape of the album a musical fossil from somewhere outside the linear progression of time

here we probably have the flagship of modern day techno music. the planet rhythm label was founded by glenn wilson and has been one of the leading icons in harder, underground club techno. stigmata member andre walter teams up with chris hope for a juicy collab. resulting in their trademark pounding beats and destructive bass-heavy productions..

incl ryan crosson remix (aka berg nixon from minus)...beretta grey, sub-label of highly successful beretta music has helped bring quality minimal to the forefront of dance music today. there is something magical and unique about the label that can be heard in each release. developed by detroit artists and inspired by the city of detroit, the label truly is a slice of what the city is all about. quality, no frills electronic dance music. their first ep received praise by everyone from richie hawtin, troy pierce and magda to ben watt!

incl. thomas andersson rmxs, welcome to boogie farm - giving you some hot house, techno, disco, oldschool, newschool. boogie farm 01 is made by olle cornéer aka dibaba from sweden. in your hands right now is >all we need (emergency)< and it s a punch in your face. it s about the state of today. remember that: >all we need is emergency. but don t forget to stay free.< the original is rough, punchy and bleepy. tomas andersson (bpitch control) delivers two smashing remixes.

it has been over four years since koops last album waltz for koop was released. today the record is still considered their breakthrough record because it sold over 160.000 units worldwide. the critics and fans were raving about the band and even the legendary director woody allen fell for the stockholm based duo and featured their hit single waltz for koop in his film match point. on their new album called koop islands they take us back in time on a enchanting journey into the era of swing orchestras and jazz crooners spiced with some exotic mento, calypso and chanson elements.the first 12 features three nice reworks done by some of swedens finest producers in club sound. markus enochsons transforms i see a different you into one of his trademark deep house tunes while hird puts the vibraphone scented ballad koop island blues into a completly new context by creating a slow rolling dub mix. tiger stripes picks up the pop appeal of the album and delivers a sunny house version of lets elope a perfect radio tune!watch out for a second 12“ coming up on compost records with more fresh remixes by beanfield, alif tree and the innocent sorcerers

superhuit presents the latest boogymanns ep. five funky & soul house tracks produced by boogymann. this ep reinforces the atmospheric idea of 70s soul music and its sensorial force forgotten today

huge ep incl rekleiner rmx !! another rookie on superieur. sebastian cabrera aka sebastian roya is a 23-year-old fellow from the back country of gran canaria. patrick chardronnet discovered this unpolished diamond during an after party at a small farm of gran canarias outback, playing a long dj set, only with his own tracks. he started his dj career at the age of 17. today, he is one of the most successful djs on the canary islands, having played all important venues. his productions show a unique sense of rhythm power and always add a twisted edge of voodoo tech to it

hot on the heels of the prins thomas mixes come these wigged out house versions from parisian franck roger, plus the original and legendary >la stache< mix. franck roger is carving out a great reputation on the house scene at the moment, his releases on his own real tone records have set the benchmark for other productions on sonar kollektiv/innervisions, seasons recordings and kenlou records, as well as remixes of blaze, roy ayers and jazztronic. franck opts for a sophisticated house rework of >moustache<, its techy moments peeking in and out of the rattling percussion, with oodles of funk layered on top. the >la stache< original mix from blackjoy is included on this release also, a huge underground cut with the nu-disco/balearic/cosmic crowd on its first release on bob sinclar s yellow label last year, and still sounding just as vital today

the first release on the new sushitech sub division pariter. produced by alejandro lopez (minimise) who hails from gijon in northern spain. alejandros first meeting with electronic music was in the mid 90s when he started listening to detroit techno and chicago house. this is where alejandro has taken his influences from to compose his own music. this ep holds 3 incredible techno tunes. on the a side you will find poligono, using a dark twisting melody over immense techno beats all tied together with a bassline that is sure to sound fat on any big sound system. this track sounds better and better every time we play it! on the flip side you will find another 2 great tracks, bigudi is another big techno tune with a driving bassline and vocal cuts all fused together with an amazing rhythm. this tune is definitely in the right direction of where techno is going in the world today! the last track on the ep estaferia continues on with the groove of the ep with some lush programming. let the music do the talking

next monstertune at bondage-music from tino schmidt aka stereofunk (karatemusik/klang gymnastik) incl. a superb dole & kom (death by disco) remix. powerful and kicking beats, witty sounds and his constant factor of recognition are highlighting this ep........played by trick & kubic (great stuff rec)

with a phenomenal timing, milan based soundplant records new catalogue number is a release by two of the hottest artist in the underground dance music world today julian sanza from 2020 soundystem, silver city and ciudad feliz and simon baker, head of infant records and half of liptrick. with >pasadena groove< he offers a solo production that goes deep in the musical and melodic territory with a phenomenal irresistible disco-y and new wave-y bassline and a strong synth and lead line reminding 80s dance music fused with early techhouse.. simon baker comes with a more electro techhouse infected remix

stunning hardtechno to burn the floor !!! volume two is definitely a true treat for those sick of the other part of today s scene, which is exploring there way into the infinite abyss due to their search for the ultimate minimalistic sound. in the end there will be a few clicks and cuts left and most of those in need for percussive music will be begging for rock-hard, cut the crap sharpness like this new fatalic resignation !!

the dirty crew keep delivering their dirty edits. expect weird disco, codeine house, krautrock anthems, raw rock n roll. expect the unexpected. always ltd, first ones are sought after goodies today

according to dan curtin: this work shows history and knowledge of the music that inspired most of what we listen to today. every track demonstrates a rich and thick production that perfectly compliments the musical contents. ranson definitely pays homage to the sound of the detroit originators but still displays his own direction and identity. this is future soul with emotion unbound to our planet. so far full support from dan curtin/ fabrice lig and funk d void!

very glitchy & groovy the fourth output from the vitamins family.. incl a track for electronica & trip hop fans

classwork is the very own label by one of our favourite italian s : diego montinario aka. >sandiego< better known as half of >boggie drama< on wasnotwas or >sachi and sandiego< on 20:20 vision. diego favours one real alternative to the frickelfrackle miniclicking today scene. sparkling, dubby kick ass real house, slightly hallucine but full of air and boogiefunk and most of all a dry no nonsense killer production. or in other words - sandiego s tracks fill up the room in minutes - put the volume up and get sucked into - it. tip

with his stunning releases on raum…musik and steve bug s pokerflat imprint, argy a.k.a. jobim s cousin has earned himself a position as one of today s most promising producers. on cargo edition, the boy from greece shows himself a bit more tool-like - hypnotic percussions drive forward these two excellent dancefloor tracks. comerte (a1) sounds like a bongo band playing live at the gym: this sound reminds us so perfectly of squealing basketball boots, doesn t it? hopefully, your dancefloor is not slippery, either… la revancha del bossa (b2) is a bit less forward, paving the way to daniel stefaniks remix of comerte (b1) with nice bassline action. speaking of the remix - mr. cargo edition himself keeps the crowd driving mad with three minutes of spurring synth modulation. see the people going wild when he finally drops in that redeeming bass drum

tampere (finland) based artist tuomas salmela (aka phonogenic ) has been active in the european clubscene since years. he has released many vinyls on his label phonogenic audio as well as on labels like 2020 vision,get physical, guidance and moodmusic. tuomas wide musical range from soulful vibes to the dark and atmospheric floormonsters pushed him to be one of the most in demand electronic producers of today. his phonogenic project has provided him with huge support from the industrie’s key figures across the board tuomas is also known as a half of the cult electro outfit discemi

in thrall to all that is brightest and best, highest and indeed lowest and most primal in british youth culture, klaxons see no distinction between celebrating their love of the madness and melodies, the ecstasy and euphoria of early 90s hardcore rave with making some of the brightest, sharpest guitar music around today. the band describe their sound as josef k-meets-baby d with a twinkle in their eye, surely the first to mention those names in the same sentence. >we are about fusing the things we listen to constantly,< says bassist jamie reynolds. >its about accessible pop music. we re trying to take it back by wanting to make a brilliantly overblown pop record!< single of the week in the nme, the video is hammered by mtv2 and snared the band sessions on xfm and radio 1.the remix package is awesome,mentionning the van she remix which is the tool for the cool dj this summer

service station tom elaborates his very own style of minimal deep house, fathoming lots of aspects of today s minimal dancecuts into one clear vision, without ever leaving the dancefloor.

paul hazendonk is considered as one of the new faces and talents in both national and international techno and tech-house scene of today. mhd born in paris, in 1979, mehdispoz is one of the upcoming french producers... a banging split ep for this new kill brique release with 2 strong acid tracks for the floor and a duriez dj tool (beware of the headache, this one is not to be listened to for too long) – but i m sure you know where to find the aspirin

jokke ilsoe have been one of the bigger names on the scandinavian post psychedelic trance dj circuit for a long time, and today he regularly plays a lot of the big outdoor festivals in mexico and brazil. with a background in producing from projects like >true to nature< together with dj t.o.m, (the sidekick of trentemöller) amongst others, jokke is certainly not a newcomer in this game

avida perfectly fit in with a kind of underground music that was getting all the rage in italy in those days: nonsense music (musica demenziale). the structures were intentionally primitive, often made on cheap electronics. maurizio damis vocals , inspired on early 60s italian singers (to carry on and close the typical 20 years cycle of revivals), such as edoardo vianello, had an appealing mix of trash and humour. avida was essen tially a live band. their performances were a mix of theatre and music, where visuals played a major role. anyway, today some of that music still sounds interesting and not only due to its lyric. in our opinion about the best music alexander robotnik ever made

big with james holden & thomas schumacher !!the a-side will and has already proved to be the perfect dance floor track while the b-side shows a deeper and more serious side of the label. with its funky base line and humoristic build up-break, subaquatic mechanic brings new life in to the myth of atlantis. playing games on the other hand, is techno for the david lynch generation. the atmosphere is so dense you can feel it. yes, you actually feel something when listening to this track. not so very common in dance music today and this is the reason why kontra-musik is here. the finishing track, high voltage monkey, brings it all down before it wraps it all up to a complete product. expect support from: richie hawtin